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It
is difficult to trace the history of papercutting. Many of the
fine and delicately cut artworks were discarded or lost as time
ate away at the paper creations. Early
cuttings from the fourth and fifth century in China were often
used to place elaborate patterns on textiles or porcelain. Although
artists were often part of royalty, papercutting soon became
a folk art practiced by commoners whose cutouts decorated their
homes.
By
the seventeenth century had spread throughout the world. A study
of these styles demonstrate the wide variety of cutting techniques
that have developed.The
Japanese art of papercutting, Mon-kiri, was used to cut family
emblems and crests from paper. Its most common motifs reflect
an interest in the symmetry of nature. Turkey boasted a guild
that was devoted entirely to the task of papercutting.
Cutters
in Italy, Holland, Germany, and Switzerland developed distinct
regional styles. Many used scissors, but some artists used knives
to do their "paper carving". Much
of the early work from these countries was religious in nature.
Often, hand-lettered and painted religious texts also boasted
papercut designs as well. Jews throughout Europe illustrated
their rich history with pictorial symbols of the Old Testament
and Torah. Europeans also cut impressively elaborate designs
on many of their legal documents. These cut embellishments often
occupied three to four times the amount of space as the written
or cut text.
During
the 1600's, the German form of scherenschnitte had become a
folded paper cut-out form. Many were created from single- folded
paper and others were cut from flat sheets. One form was the
hand-cut valentine. These often included amazingly elaborate
designs as well as hand lettered words of love.
In Poland the paper cut-outs
were frequently pure decoration. These designs, called wycinanki,
were traditionally symmetrical and often used layers of colors
to form pictorial collages. When Russian invaders confiscated
knives and scissors, villagers were found to cut their intricate
designs with sheep shears, a method known as Sycinanki.
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Another
widespread form of cut work was the art of silhouette cutting.
Itinerant papercutters sometimes traveled from village to village
cutting likenesses of families, trees, flowers and birds. Immigrants
from southern Germany and Switzerland brought the craft of scherenschnitte
to America. Fleeing religious persecution, these people settles
in areas such as Lancaster County, Pennsylvania, which is still
a center for papercutting artistry today.
Alan
Jaeger has studied many of the papercutting art forms.
He has also incorporated some of these styles into his own artwork
and into his classroom. He has been an art teacher in Toms River,
New Jersey for the past 29 years. This year he was selected
Teacher of the Year. He is presently teaching a course that
he developed entitled Multicultural Art. Scherenschnitte and
wycinancki have become part of that curriculum. He also has
his own craft business, Papercuts by Alan Jaeger. Here he has
again included his own as well as old styles from the art form
called papercutting.
For further information you may contact Alan Jaeger at Cut2u@aol.com.
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"This
paper cut was made by
Caressa Pirrone, an eighth grader from Toms River, New Jersey."
She folded a square diagonally three times as if to make a snowflake.
This design is patterned after Polish gwiazda (or "star")
wycinanki. If you look closely you can see that the theme was her
name. |
| This
is a German paper cut made in 1922. The actual size is 3" X
4". |


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This
is a design cut by an eighth grade student at Toms River
Intermediate School East, Toms River, New Jersey. The design was
from a
piece of paper folded in half.
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